Trailer Picks
See AllThe Most Watched & Shared Movie Previews This Week
The Fantastic Four: First Steps
Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Ralph Ineson, Julia Garner, Paul Walter Hauser, John Malkovich, Natasha Lyonne, Sarah Niles
Set in a retro-future world inspired by the 1960s, Marvel's first family, Mr. Marvel (Pedro Pascal), the Invisible Woman (Vanessa Kirby), the Human Torch (Joseph Quinn) and the Thing (Ebon Moss-Bachrach), face their most daunting challenge yet. They must balance their heroic roles with family relationships while defending Earth from a greedy cosmic god named Galactus (Ralph Ineson) and his mysterious emissary, the Silver Surfer (Julia Garner). And when Galactus plans to devour the entire planet and everyone in it, no one can stay out.
All's Fair
Kim Kardashian, Naomi Watts, Sarah Paulson, Glenn Close, Nancy Nash, Tiana Taylor, Matthew Nosca, Sofia Buie, Caleb Alexander Smith, Jemarcus Kilgore, Andrea LeBlanc...
A team of female divorce lawyers leave a male-dominated firm to create their own strong practice. With strong personalities, talents and complex emotions, they navigate high-stakes breakups, scandalous secrets and shifting loyalties in the courtroom and on their own teams. In a world where money is everything and love is a battlefield, these women not only play the game, they change the rules of the game.
The Waterfront
Holt McCallany / Maria Bello
For decades, the Buckley family has ruled Havenport, North Carolina, from the local fishing industry to the small town's restaurant industry. However, as patriarch Harlan Buckley (Holt McCarran) recovers from two heart attacks, their fishing empire begins to falter, and his wife Belle (Maria Bello) and son Kane (Jack Weary) do their best to keep the family business afloat. When their attempts spiral out of control and into crisis, Harlan steps in to take back control. Buckley's daughter Bree (Melissa Benoist), a recovering drug addict, is haunted by her own demons over the loss of custody of her son and becomes entangled in a complicated relationship that could threaten the family's future forever.
Smurfs
Rihanna, Nick Offerman, Natasha Lyonne, Dan Levy, James Corden, Hannah Waddingham, Sandra Oh, Nick Kroll, Octavia Spencer, Kurt Russell
The Smurf village is full of singing and dancing every day, until Papa Smurf (voiced by John Goodman) is kidnapped by Gargamel and the peace is broken. Smurfette (voiced by Rihanna) leads the Smurfs into the real world and starts their adventure with magic and wisdom.
Tron: Ares
Jared Leto, Evan Peters, Greta Lee, Sarah Desjardins, Gillian Anderson, Jeff Bridges, Cameron Monaghan, Judy Turner-Smith, Arturo Castro
A highly sophisticated Program, Ares, is sent from the digital world into the real world on a dangerous mission.
The Last Rodeo
Neal McDonough, Sarah Jones, Christopher McDonald, Mykelti Williamson
To save his grandson, a retired rodeo star enters a high-stakes bull-riding competition. Along the way, he confronts his past, discovers faith, and proves that true courage lies in family.
Alien: Earth
Sidney Chandler, Alex Lawther, Timothy Olyphant, Essie Davis, David Riddle, Sandra E. Sencindifer
When a mysterious space vessel crash-lands on Earth, a young woman and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet's greatest threat.
Zootopia 2
Jason Bateman, Ginnifer Goodwin, Guan Jiwei, Shakira, Kunta Brunson, Fortune Feimster
Brave rabbit cop Judy Hopps and her friend, the fox Nick Wilde, team up again to crack a new case, the most perilous and intricate of their careers.
The Roses
Benedict Cumberbatch, Olivia Colman, Andy Samberg, Kate McKinnon, Allison Janney, Belinda Bromilo, Sunit Mani
Ivy and Theo are a perfect couple, successful in their careers and happily married. But beneath the surface of their so-called ideal life, a storm is brewing - Theo's career is plummeting, while Ivy's ambitions are growing, fierce competition and hidden resentment are about to explode.
Five Nights at Freddy's 2
Matthew Lillard, Piper Rubio, Mark Fischbach, Kate Connor Sterling, Josh Hutcherson...
1987, after a rather unstable life, Jeremy Fitzgerald found work as a security guard at the new Freddy's Fazbear Pizzeria, but when he entered there he would realize that not everything there is as it seems.
Hot Takes
The Most Buzzed-About Films Based on Fan Reactions
Gündüz Apollon Gece Athena
Defne travels to the ancient Mediterranean city of Side, where she meets a revolutionary, a prostitute, a priestess and other mysterious characters. Guided by them, she sets out to find the mother who abandoned her. This debut feature by promising female director Emine Yildirim is set in Side, an ancient Greek colony that was once a thriving port city near present-day Antalya. The two Greek deities in the title of the film Apollo by Day, Athena by Night are Apollo, the god of reason, and Athena, the goddess of wisdom, crafts and war. The film is a fantasy drama about women and men, the living and the dead.
The Penguin Lessons
In 1976, a disillusioned Englishman arrives to work at a school in divided Argentina and finds his life changed when he rescues an orphaned penguin from a beach.
Balle perdue 3
This is the final chapter of the series. Leno swears to find Alesky and confront him.
Nobody
One night, Hutch (Bob Odenkirk)'s suburban home is broken into by two thieves. To avoid violence, Hutch does not fight back for himself or his family. His son Blake (Gage Munroe) is disappointed in him, and his wife Becca (Connie Nielsen) seems to be more alienated from him. This incident triggers Hutch's long-suppressed emotions and instincts, prompting him to embark on a brutal path that will reveal his dark secrets and deadly abilities. In a sea of fists, bullets, and speeding cars, Hutch must save his family from a dangerous enemy (Alexey Serebryakov) and ensure that others will no longer regard him as a nobody.
Fan Pulse
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Juror #2
When everyone thought that in his last film, Toki, as the "beneficiary" of the current political context, was going to stage a smug right-wing victory settlement, he actually went the other way and provided some progressive reflections in "Juror No. 2": for example, in the jury, the field where identity politics can be set up the most, the two most "stubborn" defenders of traditional family values (to some extent representing ignorant and stubborn rednecks) are played by black people; and when the defendant uttered the classic scumbag confession "I'm not the guy anymore, I have changed" in the stand, what quickly flashed by was the silent sneer of the two female prosecutors who knew the truth - a typical female subject perspective. In fact, this unprecedented thinking is by no means a trick. As the jury debate deepens, the film seems to be following the classic path of "12 Angry Men" and its many variations (it's funny, the opening scene of the female prosecutor picking up the phone even perfectly pays tribute to He Bing picking up the documents at the end of "12 Citizens"), and the early exposure of the male protagonist's crime breaks this pattern - what Dong Mu tries to do is to put everything in a swaying state. The so-called "rigorousness" has become a prejudice, and the theme of "justice" throughout the film has unexpectedly become a stumbling block to revealing or covering up the truth. This ambiguity takes root and sprouts meticulously all the way until the last scene, when it suddenly changes its form. Through the gaze of the ending, the simple moral binary opposition in "Sully" or "Richard Jewell" is re-exposed. In Toki's values, there is and only one "correct" way of moral narration. On this level, "Juror No. 2" has never hesitated in morality or conscience. This is a firm conscience. For this reason, the skepticism about moral truth in "12 Angry Men" is actually opposed and even abandoned by this film. The last time this kind of complementary and inseparable justice and truth appeared in a concentrated manner seems to be traced back to Fritz Lang (and the day I watched the movie was his birthday). So everything ends with such a gaze that follows the moral values of the black film nearly a hundred years ago. There is no more perfect farewell than this. From the gaze, we see the adhered traditions, ancient ethics and principles, and the fate of this country - after all, don't forget the identity of the male protagonist, he is the most decent conservative white male protagonist in Dongmu's usual narrative, and his evil has been planted from the beginning. Just like the close-up of the scale that appears in the opening animation and runs through the whole film, the old man has completed an atypical patriotic reflection in this way that is consistent with and breaks the self.
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Den stygge stesøsteren
The Ugly Stepsister (B+) This movie really disgusted me, but it is still worth watching! I received an early screening but missed it, so I finally made up for it. I am very glad. The Ugly Stepsister reinterprets the story of Cinderella from the perspective of the stepsister. Not only is the angle novel, the theme is more profound, and the method is bold, with no lack of direct blood and body horror. It is indeed an ancient version of The Substance, with a strong sense of irony. And this is also written and directed by a female screenwriter. I think only female directors can be so cruel to women. Nowadays, only female directors can torture women and satirize their perverted pursuit of beauty. Men really dare not shoot it, otherwise they will be scolded to death. Of course, female directors will never show the ugly faces of men in the film. The overall style of the film is very similar to "Something Substantial". Although fairy tales such as Cinderella and Snow White are for children and have many fantasy plots, they actually contain some dark and scary elements, which are designed to make children feel afraid and alert to bad guys. However, if these scary elements are magnified and the true human nature in the story is further demonstrated, it is definitely the best material for horror movies. Cinderella has the help of a fairy godmother, but how can she become beautiful without a fairy godmother? The Ugly Stepsister can only achieve this through plastic surgery, makeup, wigs and extreme weight loss, which are the "fairy godmothers" in reality. In fact, you already know from the trailer that there will be ancient plastic surgery and bloody scenes, but the film itself has more disgusting and torturous content. Even if you close your eyes and don't watch it, just hearing the screams of the heroine is terrifying. I can only say that if you are unlucky enough to see the scene, you don't have to eat dinner. It does have a weight loss effect. The ancient plastic surgery and weight loss plan in the film are astonishing. Compared with swallowing parasites to make yourself thinner, our current way of losing weight is really not extreme. But the wonderful thing is that even if you know that these cruel methods happened in the past, are exaggerated and unrealistic, people's persistent pursuit of beauty has not changed, but the methods have become gentler. There are still many people like the heroine who look ordinary but are extremely eager to marry into the upper class. For example, the socialite training class that everyone knows is the modern version of this movie. Some people still use all kinds of means to become beautiful and marry rich people or celebrities, from plastic surgery to learning how to seduce men. No matter how well you package it, it is still a scam, and behind it still exposes the ugly heart and perverted obsession with beauty and wealth. So even if the film is exaggerated, it is very realistic, and it is clear at a glance what kind of people it satirizes. The film no longer glorifies Cinderella, the prince, and everyone around them. Instead, it shows people that everyone is a slave to desire and is very selfish. Other people in this story are no better than The Ugly Stepsister. Cinderella is no longer a pure, kind, and unambitious virgin, but can't resist all kinds of temptations; the prince and the people around him are a group of perverts who are eyeing beautiful women, and evaluating women is basically like buying meat in the market. The mother of The Ugly Stepsister, Cinderella's stepmother, completely disregards her self-esteem and her daughter's life in order to please a man, and constantly tortures her daughter in various ways. The environment of all villains is more terrifying than the various bloody and disgusting scenes in the film. The Ugly Stepsister herself, the heroine, is not a simple and kind person, but a jealous paranoid. But she is indeed a girl who has been brainwashed by the utilitarian society and her mother. Under social pressure and the scrutiny of others, she has completely lost her self-awareness and self-pursuit. She only wants to be beautiful and marry a prince. She is so obsessed that she even cuts off her toes for this. If it is said that the foot binding of ancient Chinese beauties was an act of self-mutilation to please men, then cutting off oneself directly has reached a new level. But think about it, even if it is not cut with a knife, women are often very cruel to themselves. What is the purpose? In fact, there are always people who are more beautiful than themselves. If you keep "changing" and "disguising" yourself because of comparison and jealousy, you will eventually become a walking corpse that you don't even recognize. Even if people in modern life no longer need to compete with princes for a ball, there are still many people who compare and envy on social networks all day long and begin to feel ashamed. What I like about this film is that it really didn't make a big change to the original story, but just told more of The Ugly Stepsister. The main story of Cinderella was kept, and there was a grand ball. The protagonist changed from Cinderella to The Ugly Stepsister, which made people see the whole story from the perspective of the ugly duckling who wanted to become a white swan, which really made it more sad and cruel. The soundtrack was very good, and some of the music itself was screaming, which was very scary. Overall, I feel that some of the scenes are really unbearable to watch, but the story itself has a profound meaning and is very ironic, and it also vividly shows the mentality of some people who will do anything and even torture themselves in order to marry into the upper class. PS: At the end, the word "Slut" appeared on the big screen. I was shocked and thought the director was cursing, but later I found out that this word is the Swedish word for "The end". But it really hits the point. Once again, in this era, movies with connotations about women can only be made by women. It's ruthless and makes people applaud.
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La prisonnière de Bordeaux
9.28 Pingyao The title is obvious. Even if the husbands are in prison, their ghosts (mixed with capitalist economy and patriarchy) still linger in the society where women live - the house. Men are prisoners in prison, and women are prisoners in the house. Therefore, the two women made completely different choices. The noblewoman fled with the artworks, allowing the artworks hanging in the villa to break free from the above discipline; while the poor returned to the prison to visit the prisoner with the spoils of parasitizing the rich, hoping to return to the patriarchal survival order. Although they seem to be completely different, they are actually the upgraded version of "Nora" with different paths to the same destination: artworks are not survival materials. The former may still starve to death if she escapes with artworks; while the latter is the successful begging version of Nora who returns and strengthens the poor family. On this basis, the lesbian elements and the betrayal in the bathroom make girls help girls, a humanistic theme that transcends class and race, generate more reflexive thinking, that is, sometimes people want respect and emotion or material compensation. If the latter is enough, then what is the so-called mutual help and confrontation, and how to do it? Therefore, leaving with the artwork is a metaphorical response to the question of "Nora": after material abundance, can we escape the old gender order, and how do we face the hesitation and meaning loss brought by the deeper new gender order in our hearts. It's like the paintings in those movies. When they are not trapped in the circulation of the art market and the homes of men, how will their value be reflected and where will they go. These movies don't seem to try to respond, but only use a slightly contrasting ending to summarize: the rich escape, the poor reunite. Such an ending does not cater to the current slogan-style network-style "feminist" theme in any sense, but allows this doctrine to self-transform and self-betray under a small ambition, thereby enhancing the overall perception of the movie, which is concise and pleasant. Therefore, it is understandable that its shots and stories are lackluster.
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Dune: Part Two
I stood for the entire 2 and a half hours to watch the movie, not because it was so exciting that I had to stand up to watch it, but because there were bad guys. There were very few people watching the movie in the giant screen hall during the day. I was sitting in the aisle seat in the fourth row from the end. There was a man five seats away from me. There were two women in the third row from the end, directly behind me. Apart from these two women, there was no one else in the last three rows of the theater. As soon as the movie started, the two older sisters behind me started talking, one leading the discussion and the other seconding it. They were not whispering, but talking at a normal volume. The older brother who was five seats away stood up and moved to the other end of the aisle, the far side, against the wall. I didn't intend to tolerate it, so I turned around and yelled at her, "Don't talk while watching a movie." The older sister yelled back, "What's wrong with talking?" The older brother in the distance supported "Don't talk while watching a movie," and the older sister who was leading the discussion asked a soul-searching question, "Who said you can't talk while watching a movie?" I was stunned for 5 seconds. Yes, there is no law to follow and no one enforces the law. It seems that rules and public order and morality cannot defeat magic. Well, let's use magic to defeat magic. So I stood up and told the elder sister that there seemed to be no rules against standing to watch a movie. Then the elder sister shamelessly attacked me for being uncultured and threatened: If you have the guts, just stand and watch the whole movie. I'm really good at it. She didn't know I was an Iyengar yoga practitioner, and she had never heard of the mountain pose. Standing doesn't hurt your waist, so it's like practicing. The whole process took 2 and a half hours, and I ate and drank as I should. I practiced the standing poses in yoga one after another. The sand dunes were also very beautiful. It turns out that watching a giant screen movie while standing is so effective. The older sister was a tough and cowardly person. She didn't change her seat to fight me the whole time, but she didn't dare to speak. She only dared to cough and mutter. The older sister next to her didn't dare to respond to her. If she dared to continue talking, I prepared a darker magic - go to the seat behind her, take off my shoes and put my feet on the seat above her head. I know she can see the movie, the screen is too big to affect her understanding of the plot. But I also know that there is a black shadow standing on the huge screen in her sight, suppressing her for 2 and a half hours. After the movie, I put on my bag and said to her something I had been thinking about for a long time: "I've used these two and a half hours to leave a shadow in you, so that every time you watch a movie for the rest of your life, you will not forget that you are a stupid idiot." The elder sister yelled back: "You bought a ticket and stood for two hours, you are an idiot." But she walked out while yelling, so I didn't have the chance to cast a more aggressive spell. After all, with his back facing me, I am a grown man, so I wouldn't chase after someone and cast a spell. Just when I was feeling down, the elder brother who had supported me in the same row came over, expressed his admiration for my perseverance, and offered to buy me a cup of coffee. I gladly accepted. During the chat with the elder brother, I learned that he was from Tainan, Taiwan, and was on a business trip to Nanjing. He was also a science fiction fan. We lamented for a while that business was difficult now, and also talked about the original work of Dune. The elder brother said that he would let his wife practice yoga when he returned to Taiwan. After we separated, I sent a WeChat message to my eldest brother: "Saying no to those who bully us usually comes at the cost of being looked on coldly. But this cup of coffee today allowed me to meet a companion among those who need to protect each other. It was very heartwarming. Thank you." The above is my first experience of watching a movie while standing.
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Kyuka: Before Summer's End
The square frame cannot contain the overflowing blue waves at the end of summer in August and September. There are too many ambiguous backgrounds and too many vague words. Only the real emotions and silent blanks revealed by the words and interactions can make people resonate with them. The father, who is both a father and a mother, took his twin children on a sailboat to a beach where he often took them when they were young, and also went to see his ex-wife whom he had not seen for many years without the children's knowledge. God knows how excited and expectant he was on this day, but he still guarded his pride as always, arguing with her half-heartedly, and carefully handed over the USB flash drive he specially prepared with the children's video recordings. He wanted her to know how he had diligently raised the children during her absence. Although his ex-wife broke her promise after seeing him, he still invited her family to his boat by coincidence, and had dinner with the children - they ate the fish he caught with his superb fishing skills. Another fisherman, his ex-wife's husband, who was also good at fishing, exposed him and said that all the fish were bought from the market. His last sense of honor was punctured, and his broken marriage experience, the parent-child relationship that could not be honest with each other, and the fact that he could not catch any fish made him sink into the sea with his boat in vain. The only lifeless dead fish caught by his daughter on this trip was actually the fisherman himself. As for the close twin brother and sister (or sister and brother), except for a turtle of the same age as themselves, the memory of their mother has long disappeared. The mother is absent, the father is taciturn, the two are partners, laughing and playing, with a single-parent family history that is not worth mentioning behind them and a useless youth that knows nothing in front of them. They are the brownies that are bitten into the mouth and then spit into the sea in disgust, the broken shells picked up by a five-year-old girl on the beach, and the deflated rubber boat without a shore in the Saronic Bay in the western Aegean Sea. Although they had stopped asking about their mother's whereabouts, when they realized that the woman in front of them was her, they waded across the shallow sea and tried to climb ashore on the boat called mother. The younger sister finally gave the boat ticket to the older brother. She thought that this older brother who liked skirts and nail polish should be more liked by the mother who still had charm. On the last day of summer, with a bright moon hanging high in the sky over the Saronic Bay, one ship set sail and another was fished out.
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Clown in a Cornfield
Saw the opening voice-over: “I love men and the only thing better than one man is two men when they’re touching and kissing each other.”
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The Six Triple Eight
The film is based on real people and real events. This is a big plus. People who experienced World War II are basically centenarians, and they will soon die out. Watch it and cherish it. Because it is a true story, there is no bragging, and love is a secondary issue. There is nothing too legendary. Death is death, and people die with a snap... A few highlights: Officers have the Women's Army Corps' Athena insignia. Soldiers have a different insignia. Before joining the army, women knew how to dress well. After joining the US Army in 1943 and the GI Bill passed in 1944, women soldiers were treated the same as men and did not have to go to the front lines, which was actually very good. But only those who were well-informed understood the significance of it. These people were well-educated, and there was no shortage of young ladies to gild their reputations. The transformation of the fat girl, especially the surprise at the end. It is not denied that Roosevelt wanted votes, the army wanted manpower, and the female soldiers wanted benefits. Previously, the treatment of the women's corps was very poor. After becoming a regular army, female soldiers are treated the same as male soldiers (including food, clothing, housing and transportation). Private soldiers can get an annual salary of $600, and skill badges can add several dollars, which is much higher than the average income of women of $525. The amount of food supplies is the same as that of male soldiers, so they are sure to have enough to eat. After retiring, the country can pay for college tuition. After World War II, many people went to college and made their own lives. In addition to traditional nurses, clerks, typists, switchboard operators, and initial positions, female soldiers will also be selected to participate in technical work, mechanics, drivers, ordnance and other departments, and even participate in the Manhattan Project. But most of the life-threatening situations are very limited. So if someone really died, it would be a big blow to morale. As for the black sisters, their abilities are definitely not trusted. But there is one advantage, because the Nazis discriminated against blacks, there must be no Nazis or spies mixed in... So they are very suitable for handling letters... It is understandable that they open letters privately. The movie itself is a formulaic military education film. The civilians are busy, determined to join the army, the boot camp is full of troubles and they have to quarrel with their comrades, then the rookies encounter difficulties in the first battle, and after education and a certain event, they are refreshed and grow into heroes. Finally, there is the epilogue. If you are lucky enough to listen to the veterans talk about World War II, they are basically fragments of obscure history. Most people are on low-intensity duty most of the time, just a job, and die randomly from diseases, bombings, accidents... (Those who continue to participate in high-intensity combat, even if they survive, will be affected both physically and mentally, and rarely live long. Soldiers usually march, dig trenches, and stand guard. When fighting, they just listen to the officers and fight. Some people don’t even know where they are. Although those in high positions have an insight into the overall situation, most of the time they are just doing map work, making phone calls, cursing, and looking for people to eat.) There must be some highlights in life. They become treasures in an ordinary and boring life. Many years later, you still often recall your college days or military service years... (then your life is quite boring). If you are lucky, there are many highlights, which are always your greatest treasures when you are tired or insulted. War is a manifestation of human stupidity. However, war forces the survival of the fittest, screens out the stupid and weak, and allows the brave and hardworking to gain more. So what? (The politically correct people who are now lying and taking bribes are nothing compared to these pioneers)
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Sei nell'anima
The film uses powerful visual language to reveal the violent nature behind this beautiful ideology. On the surface, the film tells a coming-of-age story about youth, rebellion and self-identity; in essence, it quietly presents how beauty is constructed as a tool of social discipline and the painful struggles that individuals experience under this discipline.
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Nosferatu
This weekend I came across the horror movie "Nosferatu" that was recommended to me before the Spring Festival. I didn't expect it to be an award-winning movie in Hollywood this year. The movie tells the story of Alan who summoned a ghost as a child and ended up being possessed by it. When he grew up, he married a young real estate agent, Thomas. In order to make a living, Thomas was arranged by the company to go to an abandoned castle to do business with Count Nosferatu. He met the mysterious and terrifying Count Vampire and fled the castle in a hurry. Unexpectedly, the Count Vampire had arrived and caused a plague in the town. He and his wife, together with the professor they invited, began to try to eliminate the Count Vampire. The story framework setting basically replicates the horror narrative of the return of the vampire Count causing the spread of plague in the old movie "Nosferatu" in 1922, and is mixed with the Count's obsession with his new wife in "Bram Stoker's Dracula" in 1992, and then innovatively adds the desire-driven nature of today's trendy female subjectivity. In the end, the movie ends with the Count's terrifying desire gaze at the heroine Ellen, and Ellen, as the subject of desire, is hesitant to speak but easily kills the Count in the end, resulting in a split in the viewing experience. This movie wants to maintain the same Gothic style as the previous one - dim environment background, plain clothes, and towering gloomy castle. Although the atmosphere is well set, the unique aesthetic details of Gothic are not refined enough. The gloomy castle is only left with light and dark silhouettes, making the movie look like a horror shell. As for Depp's daughter Lily, who plays Allen, I personally feel that she is not suitable for this role. Her body shape is not suitable for playing the peerless beauty praised by the real estate boss; and her temperament is rather wooden. She does not have the fragility and confusion of Winona Ryder in "Bram Stoker's Dracula", nor does she embody the tension of female subject desire, only the hysteria when she is possessed by ghosts. The female characters lack flavor, and the male characters are not portrayed accurately. Nicholas Hoult, who plays the newlywed husband Thomas, is middle-aged but not mature enough, so he is suitable as a husband without sex appeal in the movie, but his appearance lacks the Gothic style. And Count Nosferatu in the movie has become a hairy monster, which is also not Gothic. Of course, these are minor flaws. The most serious problem of the film is that the expression of desire is too direct and fragmented. At the beginning, the heroine Ellen summoned the vampire lord because of desire, and then she was in a panic. During this period, the film directly expressed the desire through the wanton flirting between her husband's friend and his wife. Then the newlywed wife directly asked her husband for sex to express her true love for her husband and rejected the vampire lord's sexual request. So the desire either did not appear or was so obvious that it blinded the eyes. Only the detail of the naked girl riding a horse towards the depths of the fog in the middle of the movie was meaningful. At the same time, the movie constantly emphasizes that the Count is powerful. He can control the real estate owner to become his accomplice, and can spread the plague through his coffin. But in the end, Allen kills the Count directly by having sex with him. It can be said that dying under the peony flower is unjust as a ghost! It can be seen that the powerful ability of traditional vampires in the movie is ultimately no match for the powerful consciousness of modern women, and the adaptations that are not beautiful outside the movie have won consecutive photography awards. It turns out that Hollywood movies are gradually regressing!
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